Auditions for Little Shop Of Horrors
Production #6 — Little Shop of Horrors
Book and Lyrics by Howard Ashman;
Music by Alan Menken; Directed by Bob Wells;
Choreographed by Kelly Kates;
Music Directed by Donna Debreceni
Seymour: mid-20’s. Insecure, naïve, put-upon, florist’s clerk. A sweet and well-leaning little man.
Audrey: Secret love of Seymour. If you took Judy Holiday, Carol Channing, Marilyn Monroe and Goldie Hawn, removed their feelings of self-worth, add spike heels and a low-cut black dress, then included what’s sweetest and most vulnerable – that’s Audrey.
Mr. Mushnik: Their boss. A failure of an East Side florist. His accent, if he has one, is more that of middle class New York than of Eastern Europe. He seldom smiles but often sweats.
Orin: A handsome dentist with sadistic tendencies. Think of an egotistical pretty boy – dressed up like a greaser but thinking like an insurance salesman and talking like a radio announcer. Also plays A Voice not unlike God’s, Wino #2, Customer, Radio Announcer, Mr. Bernstein, Mrs. Luce, Skip Snip and Patrick Martin.
The Plant (Audrey Two) Puppeteer who manipulates 4 increasingly large puppets. Also plays Wino #1.
Voice of the Plant: Think of the Voice as that of a street-smart, funky, conniving villain – Rhythm and Blues’ answer to Richard III. Male or Female.
Crystal, Ronnette and Chiffon: Three women street urchins who function as participants in the action and a Greek Chorus outside it. Young, hip, smart, and the only ones who really know what’s going on.
Town Hall Arts Center is accepting headshots and resumes from non-union musical theater performers.
Actors of diverse ethnic, racial, and cultural backgrounds are strongly encouraged to submit.
Please email an electronic version of a headshot/resume to firstname.lastname@example.org
Submissions must be in to Town Hall by January 6, 2020.
If selected to audition, additional information will be sent, including what to prepare, along with time and place of the auditions.
All actors are paid.
BEFORE SENDING SUBMISSION PLEASE LOOK AT THE REHEARSAL AND PERFORMANCE DATES AND MAKE SURE YOU ARE AVAILABLE. ONCE CONTRACTS ARE SIGNED, NO conflicts WILL BE ACCEPTED. HEAVY CONFLICTS MAY AFFECT CASTING CHOICES.
BEFORE SENDING SUBMISSION PLEASE LOOK AT THE REHEARSAL AND PERFORMANCE DATES BELOW AND MAKE SURE YOU ARE AVAILABLE. ONCE CONTRACTS ARE SIGNED, NO conflicts WILL BE ACCEPTED. HEAVY CONFLICTS MAY AFFECT CASTING CHOICES.
Performance dates and times
20 performances, 2 HOLDS, 2 Corporate or Fundraising Holds, 1 Special Event
Friday, May 22, 2020, 7:30pm
Saturday, May 23, 2020, 7:30pm
Sunday, May 24, 2019, 2:00pm
Monday, May 25th – ALAMO DRAFTHOUSE MOVIE PARTY/CONCERT
Thursday, May 28, 2020, 7:30pm
Friday, May 29, 2020, 7:30pm
Saturday, May 30, 2020, 7:30pm
Sunday, May 31, 2020, 2:00pm
Wednesday, June 3, 2020, 7:30pm CORPORATE OR FUNDRAISING HOLD
Thursday, June 4, 2020, 7:30pm
Friday, June 5, 2020, 7:30pm
BLOCK PARTY Saturday, June 6, 2020 – NO SHOW
Sunday, June 7, 2020, 2:00pm
Wednesday June 10, 2020, 7:30pm CORPORATE OR FUNDRAISING HOLD
Thursday, June 11, 2020, 7:30pm
Friday, June 12, 2020, 7:30pm
Saturday, June 13, 2020, 2:00pm
Saturday, June 13, 2020, 7:30 p.m.
Sunday, June 14, 2020, 2:00pm
Sunday, June 14, 2020 6:30 p.m.
Thursday, June 18, 2020, 7:30pm
Friday, June 19, 2020, 7:30pm
Saturday, June 20, 2020, 2:00pm HOLD
Saturday, June 20, 2020, 7:30pm
Sunday, June 21, 2020, 2:00 p.m.
Sunday, June 21, 2020, 6:30 p.m. HOLD
Rehearsals are scheduled Monday through Thursday evenings, and often a Saturday or Sunday (most likely beginning late March/early April).
Tech weekend is May 16, 17 (full days); Show opens Friday May 22, 2020 and runs through June 21, 2020. Performances are Thursday, Friday, and Saturday evenings and Sunday matinees. There are tentative holds for performances some Wednesday evenings.
Right now, there are no openings.